Showing posts with label angel. Show all posts
Showing posts with label angel. Show all posts

Thursday, 7 October 2010

Jellyfish


The Horniman houses these creatures. The lack of flash on my camera means that you can't see the neon colouring they exhibit in UV light, but maybe you can imagine what an incredible sight it was.

Looking at animals is always a challenge to imagine life without ego-based consciousness and a more profound challenge to live an ethics of equality that takes life without ego-based consciousness into account. Reading a lot of Freud at the moment. I can't imagine that he ever imagined the different - without being less equal - consciousnesses that might inhabit creatures. But, I guess his work paves the way for us to.

Horniman Aquarium from Horniman Museum on Vimeo.

Just found this video when searching for the link to the Horniman Museum. It shows the jellyfish in all their glory.

Also discovered that there is an exhibition of Venkat Raman Singh Shyam and Rajendra Shyam on currently. I first discovered Gond art via BibliOdyssey: The Night Life of Trees It's wonderful.

Wednesday, 9 June 2010

Treen

Just arrived back in London after a week camping in Cornwall. Still glowing with the wonder of it. A glimpse:





Saturday, 19 December 2009

Work Lines Worth Isolating

Molten light thick on a
tarnished floor, flows.

Tuesday, 20 October 2009

15th September 2009

Alrighty. Next stage: intermittent (guerrilla?) internet visits (get in get out), dump photos and videos and some thoughts. Disappear completely again.







These shots were from the night of my 30th Birthday.

Friday, 28 August 2009

Untitled #2





Grumpy today.
Though doing this is cheering me up just when I was looking forward to really wallowing in it.

Tuesday, 14 July 2009

Some Quickies...

...I'm on fire!

Sunset this evening:





Observations #2

I'm getting tardy I know, but there are reasons.
Some observations recently in words:

So many birds in cages, birds singing gloriously, nailed to a crumbling wall, above the ancient woman who keeps them there.
Birds in cages outside the petshop. Chorus of competing singing and chirping to the accompaniment of terrifying Greek traffic on a tuesday morning. Birds calling to be noticed in cages.

A lone cockroach outside the supermarket. Retreating from the pavement as we pass. Returns to its position when we are gone.

A basketball court at night with the stars just visible despite the floodlight. Tall metal arms holding the hoops and their shadows falling over the court, one arm's shadow intersecting with an oilstain, interconnected, a centipede makes a quick scuttle across both and into the dark on the other side.

A rusty drain pipe protruding from the middle of a balcony four floors above us. Showering the street with soapy water. At midnight there were rivers of the stuff making inky landscapes all over our walk home.

A fish with a tail of fine silk billowing out behind it, locked in a never ending forward motion in a glass bowl. Glassy eyes that don't register me.

Monday, 29 June 2009

Ach Thoughts.

I am deliberating over how much word I want to put on the blog. For the sake of visitors I tend to think pictures and minimal writing is enough; sometimes though I am in the mood to talk.

I just went off on one with an opinion on someone else's blog:

Jane McCoy's post brushing off the chips
I read myself in your excellent blogpost, not just in the persona but in the analysing it after. I've spent good hours negotiating the 'show myself/hide myself' dichotemy and thought I might share some thoughts with you (if you don't mind).

1) Coolness is always as we perceive. I have on several occasions been informed that it was me who appeared 'cool' at school despite the fact I was a nervous wreck. I am at the conclusion that everyone feels sensitive in the end, it just varies how we display it.

2) I come to the belief that there is something inherent to art-production that is about uncovering/covering or hiding/showing. It lead me to Heidegger.. blah blah and too much intellectualising later, I feel that the process of making art is experienced within us bodily as we bodily become extensions of the object we wish to manifest (or something..). Anyway, what I'm (taking too long) saying is that the negativity we experience is a crucial part of the dialectic and life and art-making - the boundaries, the retraction, assessment, etc. etc. Our abilities to be self-critical are not just psychologically the 'tortured artist' stereotype but just a necessary part of bringing something into the world. Being sensitive to it is because making art fine tunes our listening abilities precisely for this making process (and responding to the world around). If we had no doubt then we would be running ourselves and our art riot all over the world - a violent and monolithic way of making a mark. Ok, maybe I will make this into my own blog post... not sure... sorry to impose.... Keep up the good work, I like your drawings.

I have decided to re-post it here because it collates some of my thinking on this subject of disclosure, uncovering, truth, the ground of truth.. and the role of doubt in this process. Having suffered from doubt in various forms of discomfort/self abasement, it comes to me as something in the end that must be necessary. There is nothing more grounding than the continual return to making, producing, thinking, writing - even if this production is just the debris or excess of a kind of striving, aspiration.

Was writing a little recently on the violence of totality and the drive towards totalisation. I come to this from reading some discussions on the nature of knowledge (being a drive towards co-opting every 'thing' out there into the system of knowledge), and I live this through the disappointment of hearing sentences that I have somehow heard before, and before, and before... I'm not asking for pure originality (what's that?!) but instead am just recognising how homogeneous we insist on being in the name of our insertion into the world. I make a case for subtlety, listening, small things, sensitivities, taking the time to respond honestly, a commitment to letting ourselves respond.

(This last paragraph is woefully without references and steps rudely onto Derrida's toes. I will return to it as I think Derrida is right and that there is nothing really grounding beneath it all. But this is another post.... ach! thoughts!)

Wednesday, 24 June 2009

One Hit Wanders

On to one photo posts at the mo, though I think the last couple of shots are strong enough to withstand it ;)

Woke with strange dreams of filming slugs and fishes in rising cave water this morning.

Tuesday, 23 June 2009

Monday, 15 June 2009

Observations





Like I've said before, there are so many reasons to write or to throw something out into the world. Today my ventures are like the lone survivor clinging to a piece of his broken ship, his desperate grasp at life before being dashed against the rocks in one of Poseidon's best storms. A little dramatic, but then maybe that's part of feeling melancholic - the dramatic, the performance, the identity in it.

Wednesday, 10 June 2009

Tuesday, 9 June 2009

Hermeneutics

4th June 2009

Souvlaki yoghurt round our lips, cold flat chips left neglected, perhaps my writing is nothing more than an excersize in self-deception. Effect, building a life, beer to drink.

Tuesday, 2 June 2009

More Fishes



Fishes from the harbour today. Water a little murky. Tunes just perfect.

Like A Flash

On our walk home last night we sang the Beatles' Across the Universe and talked about God and the godlessness of modernity. Somehow the Twentieth Century appears to me now like a flash of brutal ideologies and the very force of it and the drive towards secularisation is exhausting.

Sweet thoughts and feelings about beauty and God and higher feelings.

Friday, 29 May 2009

Scar Tissue

The most emotive line of all: a scar.

Platelets and other tiny bits of the repair machine
spin a web so fine as to leave a silver line,
cleaved and shimmery to catch my eye.

Saturday, 23 May 2009

More Treats

http://www.philipglass.com/audioplayer/audioplayer.html
It's the Violin Concerto that's got me.

A Treat









Some Van Gogh for us as I tired myself out reading Introduction to Phenomenology well into the night. Really enjoyed Gadamer's optimism and Arendt might be a new hero of mine... (what a photo on that link!).

Friday, 22 May 2009

Iannis' Fishes

Iannis told me a story one evening about the fishes in the harbour. He warned me first that he had gotten this information from someone else, another friend and so could not verify it, but he felt it to be true.

He said that someone had found some fishes in the far corner of the harbour drinking rum and getting a bit rowdy one night. They were only medium size and had thought that they were safe from human eyes but the drinking had addled their brains and they had not reacted to being spotted quick enough. That's youth for you.

Tuesday, 19 May 2009

Mystical Tsikoudia

Am enjoying thinking about mysticism and drinking tsikoudia, Greek raki.

Some pleasant concepts that deserve more attention from me:

the occult
revelation,
revelation as truth in religion, in Heidegger
anxiety as a groundless state of fundamental truth of Being (more Heidegger)

empathy, sympathy, love, relating
relating as primary means of being-in-the-world
magic
magic from David Abram
recent advances in technology and brain science
recent advances in psychology, behavioural science
epiphany
religious ecstacy

I'm buzzing off connections in a little-bit-drunk-kind-of-way. Finished the beautiful Kazantzakis' God's Pauper today and Dermot Moran's chapter on Heidegger. Revelation as truth, revelation as beauty. Lovely.