Framed

First you take a photograph because the image inspires you - you see something in that particular view that suits being photographed.
Then time passes and when you return to the image it seems uninteresting. Disappointingly, you cannot remember why it seemed a good idea to take this photograph.
Then, you find the image when you go through your photographs from the past and it interests you again - look! A photograph framing an object framed, by an accident of how these objects occurred in the world. Beautiful fruits framed by a grey box, as I saw them in that moment.

Seeing Swifts

Common sense and a sense of humour are the same thing, moving at different speeds. A sense of humour is just common sense, dancing.

William James

14 July 2014

Watching swifts far above me, against a hazy blue sky. It is early morning and this blue sky is a sign of a beautiful day to come.

Swifts, tumbling, soaring. Their flight is elating. They fly so high that they come in and out of my range of vision, sometimes they're there, sometimes they're not. Tiny tumbling black spots in my eye. When they're closer I can see the crescent arc of their wings.

When they're gone my eyes are searching and the tiny shapes of stuff on my eye and the imaginary residue of stuff in my eye and on my brain become visible in the searching, against a blue sky. Barely discernible shapes and fuzzy motions that I may or may not have invented. Tiny shapes moving in my eyes, tumbling and elating in their freedom and flight, and the flight of the swifts blur with my own looking – all that activity. Swifts of and in my eyes, my flight with them.

There's nothing passive about seeing.

home space

There's been a process unfolding within and around me, as I adjust to having a new home, and fill it physically and psychically.
Encouraged by a lovely compliment from Rita Evans - I begin to let more of the fruits of this process appear on here.
I have felt as if my home space has become the outer limits of my psyche, and within these walls all is creativity and play. To take it beyond these walls is to make it something else, but that's ok, I have encouragement.

(below) Shapes intersecting, things intersecting as they are in this particular moment.

Chillies and umbrella 

and bananas and daffodils

colour connections

and sunshine

can you make embroidery from detailed photo images?

my creativity has been focused on a new home.
textiles follow from this state. here are photos i want to register as potential embroidery designs:

hmmmm 

a kind of writing

discarded yarn, like a kind of writing:




 yarn and inner tube... lines of the week's activity

...and my Bornholm favourites:

Bornholm

I just went on a short trip to Bornholm, Denmark.
It was the first time I've had in a long while to reconnect with photography and nature.
I came away wondering what a critical photography practice of mine would look like...

Critical - i.e. that problematises, that raises questions, that delimits (as I understand it).

And, after reading Spheres of Action: Art and Politics (ed. Alliez and Osborne), I am re-reminded of the importance of history and materialism, and am wondering how it would be possible to reconcile image making (photography) with this aim.

Here's an assortment of images that are doing different things, but I wouldn't say they were critical. That's the problem, and I suspect the only way such a thing might be possible would be through some heterogeneous element(s).

Tree Nipples

 

Light Touches (again)

Some images from today: