This will be the last installment of posts from my trip to Cornwall in December. I welcome the distance that a bit of time passing grants me when selecting images - I felt in December after taking the photos the immediate rush of quantity and possibility, now I'm more -er- discerning.
The first two images continue a formal interest of mine - using the photograph's rectangle shape to draw in different elements around a central composite of accidental things. That sounds a bit abstract, what I mean is the hope that the object(s) of the photograph are photographed in a way that their interrelatedness with the things around them and their setting are apparent - empirically and aesthetically.
I have spoken as clumsily about related thinking in writing form here, and the lower of these images is a favourite of mine that I think is the most obvious example of this aggregation thinking.
I'm not sure yet if I'm succeeding at an aggregation, conglomeration thing... These two images (above) do have a centralising orientation where the different bits are already organised around each other, but what is interesting to me is the accidental nature of this conglomeration - the bits of rubbish sit within their own damp halo or frame, an emphasis that I hope questions their status as things, raising it perhaps. Other images of mine that are dealing with these issues are more constructed (and on an aside, I see that 'construction' has nearly risen to the top of my tags tower on the right - interesting...).
The bottom two are just views from Cornwall. After tinkering with images from Egypt it is apparent how grey Cornwall is! UK winter is dark compared to the golden bright light of Egyptian winter.
The first two images continue a formal interest of mine - using the photograph's rectangle shape to draw in different elements around a central composite of accidental things. That sounds a bit abstract, what I mean is the hope that the object(s) of the photograph are photographed in a way that their interrelatedness with the things around them and their setting are apparent - empirically and aesthetically.
I have spoken as clumsily about related thinking in writing form here, and the lower of these images is a favourite of mine that I think is the most obvious example of this aggregation thinking.
I'm not sure yet if I'm succeeding at an aggregation, conglomeration thing... These two images (above) do have a centralising orientation where the different bits are already organised around each other, but what is interesting to me is the accidental nature of this conglomeration - the bits of rubbish sit within their own damp halo or frame, an emphasis that I hope questions their status as things, raising it perhaps. Other images of mine that are dealing with these issues are more constructed (and on an aside, I see that 'construction' has nearly risen to the top of my tags tower on the right - interesting...).
The bottom two are just views from Cornwall. After tinkering with images from Egypt it is apparent how grey Cornwall is! UK winter is dark compared to the golden bright light of Egyptian winter.
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